Kelefa Sanneh’s “Major Labels”

This post is written in response to this article about Kelefa Sanneh and his new book, Major Labels, because it really sparked my creativity. I love reading about other music critics and the way that they approach the craft. It’s as educational and important for me as discovering a new band.

Sanneh has an intriguing observation about music genres, arguing that they’re more important than we might (want to) think. Sanneh says that communities are defined by “inclusion and exclusion.” Having clear boundaries about what, say, constitutes disco, or the infamous East Coast-West Coast rap divide, created cultural moments. The same can be said about having clear boundaries regarding our own music tastes. They define who we are.

He goes on to describe his music background and how he became immersed in different fandoms. His comment that you can make up your own mind about the music you like resonated with me. I’ve written before about “guilty pleasure” songs and fandom gatekeeping. And recently, I made a post about a “music friend” I had how our falling out made me aware of the way I’d begun to define my music obsession by our relationship.

It’s interesting that we often allow ourselves to be influenced by the cultural milieu. (“If everyone else likes it, I have to.”) When you take a step back and reconsider that no, I decide what I like, it’s remarkably freeing. Sanneh notes that these interrogations are important.

Easier said than done, of course: many people become set in their ways, especially as they get older. Allowing yourself to open up and explore a different style of music is revitalizing. You’ll learn something about yourself, and maybe encourage a more expansive way of thinking – even beyond music – as well.

I’m looking forward to reading Major Labels and seeing what else I get out of Sanneh’s music commentary.

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